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Performers

Composition & Piano
Flute, Whistle & Saxophone

Date & Time

Wednesday Wed, 9 Sep 2026

Categories

Location

Bangalore International Centre
7, 4th Main Road, Domlur II Stage
Bangalore, Karnataka 560071 India

Connecting Irish and Hindustani musical traditions, this performance conjures a rich sonic landscape where Sean-nós airs dissolve into alap, harp songs converse with thumri and chhands, and reels and jigs ignite into tarana and jhala. Featuring traditional repertoire alongside original compositions, the music is a thrilling celebration of two ancient traditions reimagined for the global stage.

The performance is part of Utsav Lal’s Ragas to Reels India Tour 2026, supported by Culture Ireland as a flagship showcase for Ireland’s Presidency of the Council of the European Union. Over the past decade, Lal has presented the project across Ireland, the UK, India and the USA, at venues including Southbank Centre (London) and Irish Arts Center (New York). The acclaimed Indo-Irish project includes pianist and composer Utsav Lal, fiddler Winifred Horan, flautist and saxophonist Sam Comerford, and tabla virtuoso Zuheb Ahmed Khan.

Venue: Auditorium

In collaboration with:

Supported by:

       

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Performers

Utsav Lal

Composition & Piano

Indian pianist/composer Utsav Lal, often known as the “Raga Pianist,” is recognized as the rarest of pianists for his innovative handling of Indian classical music on a Western instrument. Across a two-decade career, he has performed solo at venues including Carnegie Hall, Southbank Centre, Kennedy Center, and Steinway Hall. His music, acclaimed for sincerity, depth, and intensity, is deeply influenced by Dhrupad and draws on sources including The Necks, Thelonious Monk, and Cecil Taylor.

He has taken the stage at festivals including Novara Jazz and Masters of Tradition, and is endorsed as a Young Steinway Artist and Yamaha Jazz Scholar. He is recognized for extensive collaborative work with Irish, Scottish, jazz, and experimental artists including Martin Hayes, Dennis Cahill, Winifred Horan, Talvin Singh, and Rajna Swaminathan. He has released seven solo records, including the historic first album on the microtonal “Fluid Piano” (2016). He holds a Master’s in Contemporary Improvisation from the New England Conservatory and a Bachelor’s in Jazz from the Royal Conservatoire of Scotland, and is a disciple of Dhrupad vocalist Ustad F. Wasifuddin Dagar.

Cleek Schrey

Fiddle

New York based fiddler, composer and improviser, Cleek Schrey is deeply versed in both Irish fiddle traditions having studied Irish fiddling with the legendary Brendan Mulvihill. He also plays the Hardanger d’amore fiddle and has been described by The Irish Times as “a musician utterly at one with his instrument and music.”

Cleek has performed and recorded with leading artists in traditional music, including Martin Hayes, Caoimhín Ó Raghallaigh and Iarla Ó Lionáird. His international performance credits include the National Concert Hall in Dublin, Kilkenny Arts Festival, Masters of Tradition in Bantry, the Beckett in London festival, and Queen Elizabeth Hall. His work frequently explores archival sources, including 18th- and 19th-century Irish music collections. He holds a Master of Fine Arts in Music Composition from Princeton University.

Sam Comerford

Flute, Whistle & Saxophone

Sam Comerford is a musician and composer from Dublin, living in Brussels. He leads the trio Thunderblender, whose acclaimed debut album Stillorgan (WERF Records, 2020) was described by RTÉ Lyric FM as “the estrangement of the familiar.” Upcoming projects include a solo saxophone album on Irish fiddler Tommie Potts, a second Thunderblender album, and the soundtrack for Hexham Heads. He tours and records with numerous projects blending jazz, improvised, and Irish music, including Neil Ó Loclainn’s Cuar, Hendrik Lasure & Warm Bad, and Utsav Lal & Ragas to Reels.

He holds a Master’s in Jazz saxophone from the Royal Conservatory of Brussels and a BA from Newpark Music Centre, Dublin. He has won the Toots Thielemans Award and “Best Soloist” at the Concours Tremplin d’Avignon, and has been supported by the Arts Council of Ireland, Music Network, and the Vlaamse Overheid. He has played at Jazz Middelheim, Handelsbeurs, De Bijloke, Flagey, Theatre National Bruxelles, KVSJazz Middelheim, 12 Points Festival, Southbank Centre, and Café OTO, among others.

Zuheb Ahmed Khan

Tabla

Zuheb Ahmed Khan is a leading torchbearer of the Ajrada gharana and a rising star of Hindustani classical music. Born into a family of musicians, he trained extensively under his father, Ustad Naushad Ahmed Khan, his maternal uncle Ustad Akram Khan, and his grandfather Ustad Hashmat Ali Khan, all notable exponents of the gharana. Founded in the nineteenth century and categorised as playing in the kinar baj, the Ajrada gharana includes complex bol-patterns with barabar and ari laya, and is marked by clarity of sound as its hallmark; Zuheb is arguably the finest contemporary performer of this style.

He has performed at prestigious platforms across India and internationally, giving his first stage performance at the Indian Embassy in Russia at age five. He has played with world-renowned classical musicians including Ustad Aashish Khan, Ustad Shujaat Khan, Ustad Shahid Parvez Khan, Ustad Nishat Khan, Pt. Satish Vyas, Pt. Purbayan Chatterjee, Pt. Niladri Kumar, and Ustad Irshad Khan, as well as eminent jazz musicians Kenny Barron, George Garzone, and Louis Hayes. A classical tabla virtuoso of the highest order, his brilliant performances have earned admiration at music festivals in India and abroad, marked by uncanny intuition and masterful improvisational dexterity.