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Dual Margam 7
Odissi and Kuchipudi in Conversation
Performers
Two classical forms. Two systems of expression.
Odissi emphasizes torso isolations, its musicality flowing through sculptural stances. Every line curves inward, contemplative and sensuous. Kuchipudi, shaped by dance-drama traditions, brings brisk footwork, elevation and theatrical precision. Its energy is kinetic, narrative-driven.
This Dual Margam reveals how regional lineage and performance tradition shape technique. Presented together, these forms show what makes each dance unique in how they occupy space, interpret rhythm and express meaning.
An evening that showcases the extraordinary breadth of Indian performance traditions on a single stage.
The Dual Margam series curates two classical dance forms of India to highlight their similarities and differences. The solo performances honour traditional repertoire (the Margam), while the duet will juxtapose each unique form with another.
Supported by:
Performers
Shubham Ojha
Shubham grew up in a family that balanced tradition and modernity with effortless grace: a household where pharmacy textbooks shared space with music and dance. Introduced to Odissi at just four, he trained under Guru Siva Prasad Chand and Guru Sanatan Nayak, later refining his craft with Dr. (Er.) Srinibas Ghatuary. Today, under the mentorship of Padmashree Guru Dr. Aruna Mohanty at Orissa Dance Academy, Shubham has become a leading voice of his generation: admired for his ability to inhabit contrasting roles and for his gift for collaboration. His journey has taken him across India and abroad, with performances at prestigious festivals including Konark, Dhauli Kalinga Mahotsav, and the International Odissi Dance Festival. For many young dancers, he represents what dedication, imagination, and disciplined artistry can shape.
Gururaju N
Kuchipudi found Gururaj early and he held on tight. Under the rigorous and inspired guidance of Smt. Vyjayanthi Kashi—SNA awardee, renowned dancer, and celebrated guru—he grew into one of India’s most distinguished male Kuchipudi artists. As part of the Shambhavi Dance Ensemble, he has travelled from Africa to Europe to the Middle East, performing in over 500 productions choreographed by his guru. His solo performances at national festivals have earned both critical acclaim and heartfelt audience appreciation. Artistic Director of Chandraguru School of Dance and an accredited Doordarshan artiste, Gururaju has also served as assistant teacher for Spic Macay’s Kuchipudi workshops. Honoured with titles such as the Ram Gopal Best Male Soloist Award, Nalanda Nrithya Nipuna, and the AryaBhata International Award, he is celebrated for movements that flow with grace and a command of form that mesmerises.
