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Bara: The Arid Earth
Celebrating MS Sathyu at 90. MS Sathyu in conversation with Deepa Dhanraj.
Speakers
Kannada (with English Subtitles) | 1980 | 118 minutes
Based on the novella by U R Ananthamurthy
Director: MS Sathyu
Writers: Shama Zaidi and Javed Siddiqui
Cinematography: Ashok Gunjal
Editor: S . Chakravarthy
Art Director: Bijon Das Gupta
As citizens of a drought hit district struggle to deal with the situation compounded by political and systemic apathy, a young collector decides to save the city and expose the truth about a corrupt landlord involved in the crisis.
Speakers
MS Sathyu
M. S. Sathyu (b. 1930, Mysore) is a filmmaker, theatre director and stage designer. In 1952, he quit college and moved to Bombay to make a career in cinema. Initially, he freelanced as an animator but found that work was difficult to come by. After being generally unemployed for four years, he got his first salaried job as an assistant director to the famous filmmaker Chetan Anand. In 1964, Anand gave Sathyu his first assignment as an art director for the now-landmark film, Haqeeqat. Sathyu won a Filmfare Award for his work on this film.
Since then, Sathyu has directed and produced a number of feature films, documentaries, television series and advertisements in Hindi, Kannada and English. His 1974 Partition classic Garm Hava was nominated for the Palme d’Or at the Cannes Film Festival, and was also India’s official entry to the Oscars. In 1981, he made Bara (Famine), which won the National Award for Best Kannada Film. His other notable works are Kanneshwara Rama (1976), Chitegu Chinte (1979), and Kayar (1992).
Despite his successful career in film and television, Sathyu’s first love has always been theatre, and he has been directing and designing plays for nearly seven decades now. He began his theatrical career with the Hindustani Theatre in Delhi and later became a lifelong member of IPTA Bombay. His most memorable plays are Sarveshvar Dayal Saxena’s Bakri (IPTA, 1978), Qudsia Zaidi’s Sufaid Kundali (IPTA, 1980), and Habib Tanvir and Safdar Hashmi’s Moteram ka Satyagrah (IPTA, 1989). Sathyu has also designed productions for Alyque Padamsee’s Theatre Group, Ebrahim Alkazi’s Theatre Unit, Herbert Marshall’s Civic Theatre, Balraj Sahni’s Juhu Art Theatre, the Indian National Theatre and several other Gujarati, English and Marathi theatre groups of Bombay. In Bangalore, he has designed and directed plays for groups such as Samudaya, Sanket, Nataranga and ADA. He continues to work as an architectural consultant for theatres and cultural venues across the country, and has advised on the building of Ranga Shankara (Bangalore), Kaifi Azmi Academy (Lucknow) and Bal Bhavan (Bangalore).
Sathyu was awarded the Padma Shri in 1975, the Karnataka State Rajyotsava honour in 1982, and the Sangeet Natak Akademi Fellowship in 2015.
Deepa Dhanraj
Deepa Dhanraj is an award winning filmmaker who has been actively involved in the women’s movement since 1980. Over the years, she has participated in workshops, seminars and discussion groups on various issues related to women’s status – political participation, health and education. Deepa has an extensive filmography spanning nearly three decades that include many series of films on education and health as well as award wining documentaries. Enough of this Silence (2008) , The Advocate’ (2007), “Nari Adalat” (2000), ‘Itta Hejje Mundakka Thegiya Bediri Hindakka’, a series of 12 films for elected women in Gram Panchayats (1995), ‘The Legacy of Malthus’ (1994), ‘Something like a War’ (1991), ‘Kya Hua Iss Shehar Ko’ (1986) and ‘Sudesha'(1983), are a few of her films. Her films have traveled to numerous film festivals world wide.
