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Date & Time

Tuesday Tue, 11 Aug 2026 7:00 pm — 8:30 pm
Free Entry on a First Come First Served basis on RSVP and availability.

Categories

Location

Bangalore International Centre
7, 4th Main Road, Domlur II Stage
Bangalore, Karnataka 560071 India

What do midday and mid-octave have in common?

This Hindustani classical concert traces the ancient bond between melody, time of day, and the rhythms of nature. The science has been carried by the Shastras through generations, where ragas rise and fall with the turning of the day.

The Shastras divide the day into eight three-hour blocks, or prahars, mirroring the eight notes of an octave. Each prahar calls for ragas suited to invoke a particular state of mind; experienced consecutively, the impact is undeniable. Renowned vocalist Nishad Baakre leads the performance, accompanied by Bheemashankar Bidanur on Tabla and Tejas Ravindra Katoti on Harmonium.

Supported by:

                                                                                           Venue: Auditorium

Performers

Nishad Baakre

Vocals

Nishad Baakre is a Hindustani classical vocalist trained initially by his father, Shri Sadashiv Baakre, followed by over twelve years of study under Dr. Ram Deshpande. He has also received guidance from Pt. Ulhas Kashalkar, Pt. Dinkar Kaikini, Dr. Arun Dravid and Pt. Madhukar Joshi. His repertoire draws from the Gwalior, Agra and Jaipur gharanas. Over the years, he has received several scholarships and awards and has performed at festivals and music conferences across India, as well as on a concert tour of the United States in 2024. Alongside his performance career, he teaches young students in Mumbai and serves as a vocal guru at Aavartan Gurukul, Pune. He has also curated the thematic concert series Din Din Anand, exploring the relationship between ragas, nature and time.

Tejas Ravindra Katoti

Harmonium

A distinguished harmonium artist with a rich musical lineage, Tejas Ravindra Katoti began his musical journey under Guruvarya Pt. Rambhau Bijapure, the legendary harmonium maestro, and continued his education under his father, Dr. Ravindra Gururaj Katoti. His talent has been recognised through accreditation as an A-Grade artist by the Musical Audition Board, All India Radio, affirming his standing as a performer of the highest caliber. Shaped by two generations of accomplished mentors, he stands as a torchbearer of the harmonium tradition with both classical depth and contemporary relevance.

Bheemashankar Bidanur

Tabla

Bheemashankar Bidanur is an accomplished Tabla artist, educator and cultural organiser from Karnataka. He trained under Pt. Shivaputrappa Hoogar, Pt. K.S. Hadapad and Padmabhushan Dr. Pt. Puttaraj Kavi Gavai, and currently receives guidance from Pt. Ravindra Yavagal and Pt. Y.R. Mulimani. He has accompanied several distinguished Hindustani and Carnatic musicians, including Pt. Rajiv Taranath, Pt. Indudhar Nirodi, Pt. M. Venkateshakumar, Dr. Mysore Manjunath and Vidwan Mysore Nagaraj. An Akashavani B-Grade artist, he has performed at major festivals across India and received numerous awards and scholarships. He chairs Sri Guru Puttaraja Sangeeta Sabha, Mysuru, and leads Sri Guru Puttaraja Sangeeta Vidyalaya, nurturing Tabla students.