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S.thala: An Indian Suite
Based on the Work of Marguerite Duras
Artistes
S.thala is the name of an imaginary location invented by famous 20th century French author Marguerite Duras. In the books and films of her Indian Cycle, the characters travel from one novel to the other often without sticking to a precise narrative, but referring as a leitmotiv to an initial event that happened during a ballroom party.
In this corpus, L’Amour is a mysterious non-linear fragmented text that evokes reiterated, transformed memories extracted from the organic magma of the Indian Cycle. In L’Amour the characters have been dislodged from the original books and projected into new narrative regions. A woman, a man, a traveller, a beggar, a rejected woman are among the somewhat anonymous characters inhabiting this ghostly world and its surrounding nature.
The choreography presents a first period of movement and space exploration inspired by the many physical indications and themes contained in Duras texts. These dance modules are accompanied by the reading of short passages from the text L’Amour. In a second period the dancers perform an elaborate piece constructed and extrapolated from the first part explored figures and recurring elements.
In collaboration with:

Artistes
Annette Leday
For many years, choreographer, director and translator Annette Leday has been developing an original approach to inter-cultural contemporary creation between France and India. After an immersion of ten years in the traditional form of the Kathakali she decided to innovate and created the Annette Leday/Keli company for which she directed a dozen contemporary creations based on the traditions of dances and theatres of India and France. A graduate of the Institut des Langues et Civilisations Orientales in Paris, she is fluent in Malayalam.
Hélène Courvoisier
Kalamandalam Unnikrishnan Nair
Sadanam Manikandan
From 1982 to 1992, Manikandan studied Kathakali at the Gandhi Seva Sadanam institution in Kerala. From 1992, he took part in all the shows and international tours of the Annette Leday/Keli company. In 1995 he received a UNESCO grant for his participation in the company’s Cinderella Otherwise. He is now a teacher at Sadanam and participates in all the professional performances of the troupe.
